While unapologetically a Madoka-inspired Magical Girl show, it does take its own approach and has a more gradual pace. A slightly warm Cherry Pepsi to Madoka's crisp, icy Vanilla Coke.
Now that the Rebuild of Evangelions’s own different story is rolling, the pacing is much more natural and you’ll be on the edge of your seat - or hiding behind it, I literally pulled a muscle in my neck recoiling in horror at the excellently animated action.
A completely revamped and beautiful beginning to a different Evangelion story. It was so nice to see crisp HD updates and detail, with more focused storytelling with pieces of the fat trimmed out, but this first movie is mostly the same story you know.
Evangelion is what made Mecha a great genre, filled with existential psychological enigmas and religious imagery. It is easily one of the most influential anime ever to have been created.
Magia Record takes the world you know from Madoka and shows us how it would be like in a bigger city full of networking Magical Girls. There is a bit of a firehose effect with the number of characters and amount of story here, though.
What began as a passive time-sink grew into a beloved investment. Magia Record's characters, writing, and story have a charm to them unique in the realm of mobile games. Which makes the abrupt end of it that much more painful.
For having the same writer, composer, and animation studio that brings us Fate/Zero and the Heaven's Feel movies, Garden of Sinners has stellar animation and music for a boring, unconvincing story.
The unsettling lovechild of The Matrix and Donnie Darko (yet predecessor of both), Lain is an existential ride that is hauntingly more relevant today than when it aired 22 years ago.
Combine your average Isekai fun with the dread of Majora’s Mask and the psychological rattling of Doki Doki Literature Club.