This sequel is more of the same Yuki Yuna fare, making it a somewhat mediocre follow up to what feels like a one-hit wonder.
A decent prequel, has some cries, but they feel a bit shallow/forced. There isn't as much of an emotional dynamic/contrast, but it still has merit, especially the music.
Mirai is a magical family-focused movie that feels like a modern, Japanese "Coco" but with much less stress and more appreciation for simple things.
While unapologetically a Madoka-inspired Magical Girl show, it does take its own approach and has a more gradual pace. A slightly warm Cherry Pepsi to Madoka's crisp, icy Vanilla Coke.
NGNL Zero is a strong prequel movie with a much heavier and more serious tone than the series. I was caught off guard and cried multiple times throughout. It's worth watching the series for this movie alone.
No Game No Life is a gorgeous game-centered Isekai with lush worldbuilding and an interesting story. It also brings the worst of ecchi objectification/sexualization and the Smartest Man In The Room genre.
An ensemble Reverse Isekai piece with a strong (though slightly less brutal) Fate/Zero feel to it. This takes a hard meta route and is ample with rich philosophical dialogue and design choices.
Definitely not a good show to have be your introduction to the Fate universe, even though it does do decent world-building. The music isn’t bad though, and if you like Fate and have seen the other adaptations, it won’t be a total waste of time.
It tries to have the scope, depth, and rich history of Stormlight or a Final Fantasy game, but watching it feels like watching a speed-run of said game. For how much of the story is focused on the romance element, it all feels tremendously hollow, with very forced "emotional scenes."